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for The Antique Room Of The Royal Academy At New Somerset House
The Antique Room Of The Royal Academy At New Somerset House
Represented work of art
Material
Dimensions1.067 x 1.64 (42 x 64 1/2 inches)
Work type
Provenance
- James Stewart ( who wrote in a letter dated 4 March: This picture was presented by George IV to Lord Ashbrook of Old Windsor and at his sale was purchased by W. Martin of Eton and was afterwards bought by J. Thurwood at Cleave and Underhays sale Rooms, Windsor and remained in his possession until 1877) bought Royal Academy 1878.
Exhibition history
- Nottingham, University Gallery, R. A. Diploma Paintings, 1959 (53); Arts Council, Johan Zoffany, 1960-1 (48); R. A. , Treasures Of The Royal Academy, 1963; Camden Arts Centre, The Artist At Work, 1966; R. A. , Bicentenary Exhibition, Zoffany, 1968 (879);
Publication history
- Manners and Williamson, Zoffany, 1920, pp. 33-4, repr. , Opp. P. 32 (Lent by the Royal Academy Of Arts, London).
Photographic source
Negative Number225
Archival context
Object numberPA-F01645-0023
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Paintings: Miscellaneous Groups; Historical; Landscape
- Item:The Antique Room Of The Royal Academy At New Somerset House
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Data Formats
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