Self-Portrait
Represented work of art
Material
DimensionsOverall: 23.5 x 18 cm
Date made
- c. 1832
Work type
Subject
Technique
Provenance
- Yale Center for British Art, Paul Mellon Collection
Exhibition history
- Richard Redgrave, R.A. (1804-1888) (Yale Center for British Art, 1988-06-14 - 1988-08-07) [YCBA Objects in the Exhibition]Richard Redgrave, R.A. (1804-1888) (Victoria and Albert Museum, 1988-03-16 - 1988-05-22) [YCBA Objects in the Exhibition]
Publication history
- British Art at Yale, Apollo, vol.105, April 1977, p. 251, fig. 33, N1 .A54 + OVERSIZE (YCBA) [YCBA]Susan P. Casteras, Richard Redgrave, Yale University Press, New Haven London, 1988, pp. 161-62, 168, no. 156, NJ18 R2454 C27 (YCBA) [YCBA]Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 182-183, N590.2 .A83 (YCBA) [YCBA]Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 P381 2007 OVERSIZE (YCBA) [YCBA]Ellis Waterhouse, An Impressive Panorama of British Portraiture, Apollo, v. 105, no. 182, April 1977, p. 251, fig. 33, N1 A54 + (YCBA) Another copy of this article may be found in a separately bound and catalogued copy of this issue located on the Mellon Shelf [call number : N5220 M552 A7 1977 + (YCBA)] [YCBA]
Owner accession numbersB1981.25.514
Owner’s online record
Photographic source
Archival context
Object numberPA-F02439-0021
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:PA-F02439
- Item:Self-Portrait
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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