The World Forgetting" - Sunday Afternoon In Kensington Gardens, A. D. 1780"
Represented work of art
Dimensions0.263 x 0.368 (10 3/8 x 14 1/2 inches)
Work type
Subject
Inscription
- Signed and dated J. C. Horsley 1877; Inscribed: verso: - No other . .. Or replica of the original pictures exists but thisigned J. C. Horsley 1877
Provenance
- Sidney Cartwright, Mrs Sidney Cartwright, bequeathed to: -; Wolverhampton Art Gallery & Museums, 1887
Exhibition history
- Stourbridge, Art and Industrial Loan Exhibition, 1905; Central Art Gallery, Wolverhampton, Jan/March 1977, and Laing Art Gallery, Newcastle-upon-Tyne, March/April 1977 The Cranbrook Colony (42)
Photographic source
Negative Number333903A
Archival context
Object numberPA-F02974-0013
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits Male, A-Z & Female, A-Z; Subject paintings
- Item:The World Forgetting" - Sunday Afternoon In Kensington Gardens, A. D. 1780"
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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Data Formats
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