A View Westminster Bridge From The South With The Abbey In The Mid Distance
Represented work of art
Other Titles
- A View of Westminster Bridge and the Abbey from the South Side
Material
DimensionsOverall: 15.2 x 31.7 cm
Date made
- 1818
Work type
Subject
Technique
Inscription
- Signed and dated on lower wall of building rt. Side: W. Anderson 1815
- Signed, lower right: "W[?]"
Provenance
- Credit Line: Yale Center for British Art, Paul Mellon Collection
- Gooden & Fox Ltd. 1967, Paul Mellon (1907–1999); Yale Center For British Art (B1976.7.89)
Publication history
- Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 14-15, N590.2 .A83 (YCBA) [YCBA]Louis Hawes, Presences of Nature : British Landscape, 1780-1830, , Yale Center for British Art, New Haven, CT, 1982, pp. 87, 191, no. VI, pl. 68, ND1354.4 H38 (YCBA) [YCBA]
Owner accession numbersB1976.7.89
Owner’s online record
Photographic source
Archival context
Object numberPA-F06755-0039
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Identified views, A-Z
- Item:A View Westminster Bridge From The South With The Abbey In The Mid Distance
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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