The Lake And Town Of Nemi
Represented work of art
Material
DimensionsOverall: 36.2 x 52 cm
Date made
- 1774-1784
Work type
Subject
Technique
Inscription
- Inscribed on back on mount in graphite lower right: "COZENS, J. R. NEMI | 70/3/27/69"
Provenance
- Yale Center for British Art, Paul Mellon Collection
Exhibition history
- Yale Center for British Art, The Art of Alexander and J.R. Cozens 1981 (94)
- Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20) [YCBA Objects in the Exhibition]The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16) [YCBA Objects in the Exhibition]Romance and Reality (Wildenstein) (Wildenstein & Company, Inc., 1978-09-22 - 1978-12-07) [YCBA Objects in the Exhibition]
Publication history
- Duncan Bull, Classic ground : British artists and the landscape of Italy, 1740-1830, , Yale Center for British Art, New Haven, 1981, pp. 5, 6, 31, no. 18, ND1354.4 B85 (YCBA) [YCBA]Maria Delores Sanchez-Jauregul, The English prize, the capture of the Westmorland, an episode of the grand tour , Yale University Press, New Haven, 2012, pp. 122, 123, fig. 79, N9135 .E54 2012 + OVERSIZE (YCBA) [YCBA]Andrew Wilton, The Art of Alexander and John Robert Cozens, Yale Center for British Art, New Haven, 1980, pp. 12, 42, no. 94, pl. 38, NJ18 C83 W55 OVERSIZE (YCBA) [YCBA]
Owner accession numbersB1977.14.361
Owner’s online record
Photographic source
Archival context
Object numberPA-F07356-0011
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Landscapes; Italian; Identified, N-Z
- Item:The Lake And Town Of Nemi
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
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