Portrait Of The Jeffreys Family, 1730
Represented work of art
Other Titles
- John and Elizabeth Jeffreys and Their Children
- The Jeffreys Family
Material
DimensionsOverall: 72 x 91 cm
Date made
- 1730
Work type
Subject
Technique
Provenance
- Yale Center for British Art, Paul Mellon Fund
Publication history
- Acquisitions : The First Decade 1977-1986 : Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 1986, pp. 9, 14, 15, no. 26, fig. 6, N590.2 .A7 OVERSIZE (YCBA) [YCBA]Gabriele Baldini, L'opera completa di Hogarth pittore, Rizzoli, Milan, 1967, no. 35, NJ18 H67 +A12 M36 Oversize (YCBA) [YCBA]Ronald Brymer Beckett, Hogarth, Routledge & Kegan Paul, London, 1949, p. 44, no. 26, pl. 26, NJ18 H67 B43 1949 [ORBIS]Ching-Jung Chen, The early Georgian conversation piece : Thesis (Ph. D.)--Rutgers University, UMI Dissertation Services, Ann Arbor, 2001, pp.386, still life 415-16, cat. no. 80A, Available online : ProQuest Dissertations & Theses [ORBIS]Robert Colls, This sporting life : sport and liberty in England, 1760-1960, Oxford University Press, Oxford, U.K., 2020, p. 372, GV706.35 .C65 2020 (LC) YCBA [ORBIS]Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 120-121, N590.2 .A83 (YCBA) [YCBA]Austin Dobson, William Hogarth, Sampson Low, Marston, Searle & Rivington, London, 1891, NJ18 H67 D65 (YCBA) [YCBA]Elizabeth Einberg, William Hogarth : A Complete Catalogue of the Paintings, New Haven, London, 2016, p. 62-63, cat. 27, NJ18 H67 +E36 2016 Oversize (YCBA) [YCBA]William Hogarth, Anecdotes of William Hogarth, written by himself, with essays on his life and genius, and criticisms on his works, selected from Walpole, Gilpin, J. Ireland, Lamb, Phillips, and others. To which are added a catalogue of his prints; account of their variat, Cornmarket Press, London, 1970, p. 373, NJ18 H67 A3 1833A (YCBA) Reprint of the 1833 ed.; copies of 1833 edition held by Bass, LWL; LSF [YCBA]Ronald Paulson, Hogarth : His Life, Art, and Times, , Yale University Press, New Haven, 1971, p. 218, NJ18 H67+ P39 Oversize (YCBA) [YCBA]Kate Retford, The Conversation Piece Making Modern Art in Eighteenth-Century Britain, Yale University Press, New Haven, 2017, p. 292, fig. 218, ND1314.4 .R48 2017 (LC) Oversize (YCBA) [YCBA]Duncan Robinson, Acquisitions : The First Decade 1977 - 1986, , Burlington Magazine, vol. 128, October 1986, pp. 9, 14, 15, no. 26, fig. 6, N1 .B87 128:3 OVERSIZE (YCBA) [YCBA]Spink & Sons, Spink and Sons, Burlington Magazine for Connoisseurs, v. 123, London, March 1981, Back matter, N1 B87 + Oversize [ORBIS]Mary Webster, Hogarth, Studio Vista, London, 1979, p. 180, NJ18 H67 +W43 Oversize (YCBA) [YCBA]
Owner accession numbersB1981.20
Owner’s online record
Photographic source
Archival context
Object numberPA-F08105-0033
Archival context
- Fonds:Paul Mellon Centre Photographic Archive
- Series:Artists, A–Z
- Folder:Portraits: Groups Identified
- Item:Portrait Of The Jeffreys Family, 1730
ClassificationsArchival Document
Scope and content This series comprises images of works by artists who were British by birth, foreign artists who worked in Britain or foreign artists who painted British sitters abroad. The works featured date from c.1500 to c.1900. The images in this series form by far the largest part of the Photographic Archive. Images remain in their original order: organised A–Z by artist name. Significant artists, or those for which there is a wealth of material, have multiple folders of images. In these cases, images are further subdivided by genre or type, depending on the artist. They may also be organised in ‘catalogue raisonné order’. The images predominantly depict oil paintings but prints and other works on paper are also included.
Acquisition information The collection has always been in the possession of the Paul Mellon Centre for Studies in British Art (or its predecessor institution, the Paul Mellon Foundation).
ArrangementThe archive has been arranged in its original order.
Conditions governing use The images in the Photographic Archive are derived from a variety of sources, so copyright in the collection is varied. The copyright status of each image is detailed at item level in the catalogue.
Accruals It is anticipated that new images may be added to the Centre’s Photographic Archive in future. These may be generated via the Centre’s everyday activities (such as the publishing programme). They may also come from external sources (such as donations by scholars or institutions).
Rights and reproductions
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